How to turn a half-remembered conversation into a clear idea worth revisiting

I was walking home one evening when a stray line from a conversation I’d overheard lit up a corner of my mind: “We forget not because memory fails, but because we never wrote the thought a second time.” The line was half-remembered, italicized by my own imagination, and stubborn enough to...

How to turn a half-remembered conversation into a clear idea worth revisiting
Jan 14, 2026 • by Élise Laurent

Featured

Latest News from W Oswald Co

What film scenes teach about how we misremember other people

What film scenes teach about how we misremember other people

I remember a scene from a film more clearly than I remember a conversation I had last week. It’s a strange admission, but it’s become a kind of litmus test for how I think about other people: which version of someone lives in my head — the messy, contradictory person I actually know, or the distilled, edited character that filmcraft hands me? Over time I’ve noticed that the ways...

Read more...

Why paying attention to labels in supermarkets teaches cultural history

Why paying attention to labels in supermarkets teaches cultural history

There is a small ritual I return to whenever I want to understand a place: I go to the supermarket. Not for the convenience of shopping, but because the items on the shelves — their packaging, the fonts, the claims and the price stickers — are a curious kind of public record. Reading supermarket labels has become a hobby of sorts, a way of learning the cultural history that finds its way into...

Read more...

How to tell if an idea is worth keeping: three quick tests to try

How to tell if an idea is worth keeping: three quick tests to try

Ideas arrive in odd ways: in the margins of a newspaper, halfway through doing the washing up, in a conversation that started about nothing important. Some I keep and scribble in a notebook; others evaporate by the time I reach for a pen. Over the years I’ve developed three quick, forgiving tests I run in my head before I decide whether an idea deserves a second look. They’re not rigorous...

Read more...

When nostalgia is productive and when it’s a trap for feeling stuck

When nostalgia is productive and when it’s a trap for feeling stuck

There’s a particular ache I recognize now: the sudden rush of warmth when a song from my teenage years plays, the way a scent can unspool an entire afternoon from a decade ago, the urge to pull an old sweater from the back of the wardrobe because it feels like a familiar shelter. Nostalgia has a voice that’s both tender and persuasive. It tells you what was good, what was simpler, what you...

Read more...

How to write a short, stubbornly honest reflection in under 600 words

How to write a short, stubbornly honest reflection in under 600 words

I have a habit of trying to say too much. Sentences pile up like luggage at a station: necessary items, a few souvenirs, and always one thing I convinced myself I absolutely needed but never use. Writing a short, stubbornly honest reflection forces me to leave the excess on the platform and board with only the essentials. Here’s how I do it — the method I return to when I want something...

Read more...

What a walk with purpose looks like: small experiments in moving thoughtfully

What a walk with purpose looks like: small experiments in moving thoughtfully

I used to think of walking as the default transit mode: a neutral, functional way to get from A to B. Lately I've been experimenting with a different idea — walking with purpose, not in the sense of a destination-oriented mission, but as a deliberate practice that reshapes attention, mood and small decisions over the day. These are not grand experiments. They are small shifts, easy enough to...

Read more...

How to curate a personal mini-museum from ordinary household items

How to curate a personal mini-museum from ordinary household items

I’ve been collecting small domestic oddities for years — a chipped teacup inherited from an aunt, a bent teaspoon that survived a move, a child's drawing folded so many times it became a soft square. At some point these things stopped feeling like clutter and started feeling like a private archive. That archive became my mini-museum: a curated corner of home where ordinary objects are given...

Read more...

How to use a single odd question to start a meaningful conversation

How to use a single odd question to start a meaningful conversation

Sometimes a conversation begins with weather or an awkward joke and drifts into polite non-commitment. Other times it opens with a strange, specific question — and the room rearranges itself. I’ve come to love that second kind of opening: the single odd question that acts like a key, unlocking a richer exchange. It feels more like an invitation than a line, and it nudges people away from...

Read more...

When to keep an opinion private: a practical guide to social friction

When to keep an opinion private: a practical guide to social friction

There are moments when an opinion feels like a small, hot coal in my palm — impossible to ignore, irresistible to fling into the conversation. Other times the thought is a cooler ember, better kept tucked away until the light can reach it without burning something fragile. Learning when to speak and when to hold back is less about self-censorship and more about social precision: knowing what an...

Read more...

When a bad review is actually the most generous gift to a creator

When a bad review is actually the most generous gift to a creator

I remember the first time a review landed in my inbox that felt like a small, cold knife. It wasn't a Goodreads one-star or an anonymous comment on a recipe blog; it was a thoughtful, sharp appraisal from a freelance editor who had paid for my workshop and then wrote back to explain why my piece had "missed the point" and felt "self-indulgent." For a while I read it the way you examine a bruise...

Read more...